Tag: Playstation

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Video Game Playthroughs

Ni No Kuni II: Variety is the Spice of Life

Ni No Kuni II Party Members

I was a little hesitant to pick up Ni No Kuni II. I was feeling burnt out on RPGs as I had dedicated a lot of time to them in 2017. I finished Persona 5 and Final Fantasy 6 (for the very first time!) and had sunk over 30 hours into Divinity Original Sin II. The thought of dedicating time to another long RPG seemed daunting at best. The mixed reviews from the first game didn’t help, especially since it supposedly turned into a late game grind. Good word of mouth of the sequel prevailed though and I ended up purchasing it based off those recommendations. And boy am I glad I took that advice.

I am currently about 10 hours in and loving it. I’ll save any discussion of story for another post as currently, as I am still early in the game and (in true RPG fashion) it has yet to really develop in a meaningful way. I’ll would much rather focus instead on the variety of mechanics the game has to offer. This variety has made the initial hours fly by as the game slowly introduces its surprisingly diverse systems (with still more coming my way).

Ni No Kuni II Thogg

The core of the game revolves around active time RPG battles. Rather than having a traditional turn based battle system, instead battles are more similar to a combination of Kingdom Hearts and Devil May Cry. You control one of 3 characters (you have the option to choose which character to control) that can participate in battles while the other 2 are controlled by AI. Each character has a light, heavy, and ranged attack and can also be equipped with 3 close-combat weapons. Each character also has a total of 4 magic abilities, which can range from casting fireballs to spinning sword attacks. You can cast your special skills at any time, but it is to your advantage to build up your different weapon meters. Weapons individually build percentages as you attack and when they reach 100% your special skills do extra damage. Ni No Kuni thus requires you to constantly cycle between your close range weapons to build percentages up to augment your special attacks. The game also has you recruiting (and eventually making) little spirit helpers called higgledies. These pint sized spirits assist in battle as well, providing damage or buffs to your party. They can also activate special abilities during battle, which include projecting a healing barrier or dropping a large dark orb on enemies.

Ni No Kuni II higgeldy

If this sounds a bit complicated, so far it really isn’t. The early parts of the game can feel a bit like training wheels as battles require little more than jamming on your light and heavy attacks. But the game has slowly increased the difficulty, requiring strategy in implementing dodging, blocking, and activating special abilities. Ni No Kuni also has what they call the “Tactics Tweaker” that allows you to invest points earned from battles that adjust your parties’ strengths and weaknesses. There are quite a few settings to tweak to advantages against certain enemy types, elemental affinities, and even higher drop rates for items. These settings are all tied to each other though. For example, if you choose to do more damage against blob-like enemies then you won’t do as much damage against fairy types. This system keeps your party from completely running over enemies as different areas will necessitate different affinities based on enemy and elemental types.

Ni No Kuni II Skirmish

Breaking up the RPG action battles are optional, more unit focused battles called skirmishes. Skirmishes take place on a wider map than the confined RPG battles do. They are much similar to Dynasty Warriors, where you maneuver across an open map. These battles have up to 4 squads of minions orbit around your main character and engage in fights with groups of enemies. These battles aren’t the same type of active as the regular battles; you won’t be pressing buttons to have your characters attack. Instead it’s all about placing your orbiting minions in line with enemies. Your minions then automatically attack the enemy troop until either you move them or one of the squads fall.

Skirmishes have a rock-paper-scissor style of troop combat. Troops are either one of 3 types: light (swords), heavy (shields or spears), and range (archers). Put a sword group against the ranged troops and they’ll easily win, but put them against a heavy troop and you’ll face casualties. Skirmishes are decided by reducing the opponents’ military might to 0. Taking down enemy troops results reduces the enemy’s military might so defeating all the troops is the only way to win. Player’s also has special abilities to activate during the match as well, but these cost military might so they have to be used sparingly.

Ni No Kuni II Kingdom Builder

The final piece of the gameplay puzzle is the Kingdom Builder. The main focus of the game’s story revolves around you creating a brand new kingdom, so Ni No Kuni II puts you in charge of it. You aren’t completely creating a city from scratch a la Sim City, but instead choosing what buildings, upgrades, and research to perform first. Your kingdom has specific areas where specific shops must be built so it is up to you to prioritize what shops to build and upgrade first. Shops all offer unique advantages; for example you can prioritize researching higgledies by upgrading the Higglery or bolster your military might in skirmishes through the Barracks.

These individual shops are also manned by NPCs that you place in each building. Each character has specific skills that allow for more complex projects and faster research. You’ll start out with a small number of NPCs to choose from, but you can collect more by completing side quests. This places a great incentive to complete side quests, something I have a hard time reconciling in other RPGs. The idea of not only receiving specific items as rewards but also having a new person join my kingdom makes me more motivated to put the main story on hold. Ni No Kuni II gives player’s like me who tend to stick to the main story quest path a reason to pick up side diversions.

Ni No Kuni II Sky Pirates

I was not expecting to write this much about Ni No Kuni II’s gameplay before purchasing. The cute fairy tale setting and Studio Ghibli animation houses a surprisingly complex RPG. The variety of systems at play keep things fresh and I can’t wait to see how all of these mechanics evolve throughout my time.

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Video Game Playthroughs

Dragon Ball Fighterz Makes me feel Like a Kid Again

Dragonball Fighterz Fusion

I haven’t been taken with a game quite the way I am with Dragonball Fighterz in a very long time. That doesn’t mean I haven’t liked or even loved quite a few games over the recent years, but this new obsession marks something deeper. I’m not playing the game everyday, only playing from time to time. I’m not even that great at it and am currently in a losing slump.  I can’t help but think about it constantly; I have been consistently coming back to it something I haven’t done since I picked up Dota over 7 years ago. I pick it back up in between all the other games I’ve been playing, hopping back in the lab to brush up on my technique. I’m even watching pro fighting tournaments again after I had become a fair weather Evo fan. Arc Systems has simply created something that is unabashedly up my alley.

It reminds me of the way I used to obsess over things when I was a kid. If something caught my attention, I was much more drawn into all the minutia about it. I would be dig deep into the details of the world, remembering places, times, or scenes where important events took place. I would latch onto characters not just because of personality, but their style and demeanor as well. I would run back scenes or events through my head remembering how cool or sad I thought something was. Dragon Ball Z was one of those obsessions. It’s the first show I remember having to watch as soon as it came on. I would draw the characters in a sketchbook. I wanted to be part of the world so badly that I would draw myself as one of the characters. I knew every storyline and every character and was very protective of my feelings over it.

Goku Black
Rose!

Obviously my nostalgia for DBZ plays a key part in my obsession with Fighterz. The art perfectly meshes Arc Systems’ 2.5D animation with the original series stylings. Character’s voices (and screams and trash talk) are all perfectly matched. Everything about Fighterz is lovingly recreated from original DBZ right down to the stunning dramatic finishes. I even feel a pang of guilt every time I fire up my team (Kid Buu, Goku Black, Gotenks) since canonically these characters would never fight together. DLC characters even have me excited to see what new team members will be pulled in from the shows’ deep bench of villains and heroes (hell I’m even excited about the new Bardock and Broly!)

I’m obviously not alone; the game leads this year’s EVO sign ups and with specific show lingo and canon from the tv show are an important part of the professional scene now. There’s something more to this game though something that years of Budoki and Zenoverse games never captured; an actual, honest to goodness, professional grade fighting game.

I have never felt so empowered playing a fight game like this since I first played Street Fighter IV (almost 10 years ago?!) which was the first fighting game that inspired me to buy a fighting stick. I watched tutorials online determined to get better at the game. I wanted to be the best dammit! (or at least very very good). Fighterz has filled that void that I almost forgot I had. Even when I lose a match, I don’t feel especially discouraged. The game’s mechanics even make onboarding a breeze; in hindsight I have no idea why I had misgivings about the auto combo system, which allows players to pull off long strings of hits by only pressing one button. That specific piece is an incredibly ingenious idea allowing players to perform cool moves without handing them a match. Everything command wise is a breeze to pull off (especially pulling off familial Kamehameha waves).

Dragonball Fighterz Gohan Super

I honestly just want to continue playing and obsessing over this game. The fighting game community’s embrace of it makes my interest seem rewarded. I want to keep fighting, training and getting better, and isn’t that what Dragonball Z is all about?

DBZ Goku Training

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Video Game Playthroughs

Dunking makes me feel good – my time with Pyre

Pyre Pass

Dunking is one of only few perfect things in this world. The art of the dunk, long sought after by many basketball players, is elusive yet o so rewarding. A perfect dunk has the rare accomplishment of being both artful and powerful. Players like Vince Carter epitomized the beauty of the dunk, how the balance of both jump height and rotation complexity can form a perfect union (the 2000 dunk contest is a thing of beauty). Vince Carter might not have been the first person on SuperGiant game’s minds, but the essence of dunking is flowing through their action/adventure game Pyre.

Pyre NightwingsLet’s take a quick step back; while Pyre has a lot of dunking that’s not really what the game is about. Pyre takes place in a fantasy setting where outcasts from the main society (known as the “Commonwealth”) compete in sports-like contests to achieve access back into society. These contests are known as “Rites” and are a spiritual ceremony and each team represents a different one of the eight mythical characters (“Scribes”) that saved their land from chaos. Your job as the player is to embody “the Reader,” one who has the ability to read what is known as “The Book of Rites” that provides you with strategy and background on how to win these rites.

If this all sounds a bit dense, it kind of is. Pyre is a game very heavy on story. The Book of Rites acts as a lore book for the universe. To the game’s credit, it slowly deals out these pieces as you progress throughout the various rites. The Book slowly fills up with passages on the locations in the world, opposing teams, backstory on the rites themselves, and much much more. There is a lot of information given in these passages but the games slow pace at which it doles the out makes it easier to digest.

Pyre Party

The gameplay in between the rites, which takes up the majority of the game, is similar to something like an adventure game. You will interact with characters in your party, choose what paths your party takes on the way to compete in rites, and eventually pick which rites to compete in. Luckily these passages are engaging as the story and writing are superb. All the characters, both friends and adversaries, have complex backstories about how they ended up outcast (or in the “Downside”) and motivations for gaining access back to the Commonwealth. Most enemies could not be classified as pure evil and even the most hardened competitors have sympathetic reasons for winning.

Pyre Dunk Gif
Dunk!

The rites themselves are really the best part though; this is where the dunking comes in. Each rite is a 3v3 match where your characters must take a ball (“Celestial Orb”) and move it into the opposing team’s “Pyre.” The player can only control one character at a time though, so positioning other characters is crucial. The characters each have auras, outlined fields around them that if an enemy comes in contact with will put them out of play for a duration of time (“Banishment”). These auras can also be shot at opposing players to banish them as well. Each character has different stats which effect speed, aura size, and point values for scoring. This means getting the orb into the pyre requires banishing opposing players or outmaneuvering them. Characters can also throw the orb from a distance, but it takes a charge up time, rewards you with less points, and can be intercepted. This leaves players to mostly rely on literally dunking characters into the pyre. I cannot stress enough how GREAT this feels. Outmaneuvering an opponent with a speedy character or wiping out an entire team with well-placed aura shots, leaves you with a great adrenaline rush. When you are able to dunk your character into the pyre, that’s icing on the cake. Matches (especially as the game progresses) become tense stalemates and one wrong move can leave you wide open. I cannot stress enough how good the rites feel and I never truly felt too powerful over other opponents. If you do though, you can always turn on extra modifiers that increase match difficulty and also give characters more experience.

Pyre Nightwing Score

Winning enough of these rites is the ultimate goal and eventually allows you to pick which characters to send back to the Commonwealth. This happy ending is only for that one character though, and once they are gone they are no longer available for your team. To make matters worse, only characters that have a certain amount of experience are allowed to ascend. This combined with Pyre’s strong writing make it an incredibly difficult choice. The reward is seeing these characters that you have grown close with achieve their freedom. It’s hard not to feel a bit twisted up sending a character back to their life on the other side of the world. After they ascend, other characters in your party also react to their absence making it sting even more.

It should come as no surprise that SuperGiant Games has knocked it out of the park again. Their writing is as strong as ever, as they showed in Bastion and Transistor, but this time they’ve been able to pair it with even better gameplay. And nothing (I mean nothing) feels and looks better than a dunk. Keep on dunking outcasts!

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Video Game Playthroughs

Sonic Mania Proves I’m Not Crazy for liking Sonic

Sonic Mania Anime Intro Sonic Knuckles Tails

I wasn’t able to play video games as a kid. Up until about age 8, my parents forbade me from owning a console. They eventually acquiesced when a family friend asked if I would like to borrow their Sega Genesis for a while as they barely played it anymore. I was so excited to finally play video games and I played the one game he owned over and over; Sonic the Hedgehog. I absolutely loved Sonic and quickly jumped on board the band wagon. Soon I was watching the cartoon and wanting to buy all the toys and accessories. As I grew up, so did Sonic and I gladly played through his original jumps to 3D in Sonic Adventure 1&2. I 100% drank the cool aid.

Fast forward to 2017 and 9 console titles later (not to mention handheld), the Sonic series has hit an all-time low. 3D games became the primary titles on consoles leaving behind Sonic’s primary speed for slow, cumbersome platformers. Sega turned him into a werewolf and even had him date a human (the less said about that the better). They even tried to return him to 2D with lackluster results. Sega dug the Sonic series in a serious hole, at least critically. I’ve questioned my own interest in the series; was I crazy for thinking Sonic was ever actually good?

Sonic the Hedgehog 2006 Playstation 3 Xbox 360
Like I said, yikes

Thankfully Sonic Mania has disproved that theory. This new game made by PagodaWest Games and Headcannon has shown that a modern Sonic can in fact be very, very good. Not only does it feel like that old classic Sonic, it feels fresh. It takes those familiar tropes that fans remember about the original games and runs with them. I blasted through Green Hill zone and was surprised to find that this wasn’t the Sonic of my childhood, but a marked improvement over it. I was right back to the excitement of my 8-year-old self.

Sonic Mania Studiopolis Zone Sonic the Hedgehog

Sonic Mania is nostalgia done right. The game sets you up to expect a run through of Sonic’s greatest hits, but adds new elements to the basics. Levels are more expansive with even more branching paths and hidden elements to find. One minute I was zip lining down, the next I was being blown into the air by a giant popcorn popper. I noticed a lot of similarities between the levels at first, but the game quickly messed with my expectations. While the zones start out as templates of those original Genesis game zones (Green Hill for example) they quickly branch out from there (Sonic on an airship is a highlight).

Sonic Mania Boss Fight Dr Robotnik Mean Bean Machine

Sonic Mania really differentiates itself though in the boss fights (as in they are actually fun!) While you’ll still be mostly trying to jump into the weak point of a Robotnik (sorry Eggman) machine, the arenas are more dynamic. Arenas will shift and change or will often have movement incorporated into the fight. One highlight comes early; as you finish the level you are dropped into a versus battle of Dr. Robotnik’s Mean Bean Machine.

These changes don’t mean that Sonic Mania is more complex. You’ll still be trying to gain as much momentum as you can by pressing right and the only button you’ll have to remember is the jump button. This doesn’t mean Sonic Mania isn’t difficult. The levels are setup to punish players that just want to hold right, a lesson I learned repeatedly. The aforementioned boss fights also took me more than a couple tries to pin down. Above all, I found Sonic Mania to be plain fun. I would have never thought that I could be raving about a Sonic game in 2017. PagodaWest Games and Headcannon are known for their work in the Sonic fangame community and they have created what might possibly be the best Sonic game. Maybe Sonic can in fact be a top tier series again, if its creation stays out of Sega’s hands (stay tuned for Sonic Forces this fall).

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Video Game Playthroughs

Trading Exploration for Checkpoints: Open World Strategies in Horizon Zero Dawn

Horizon Zero Dawn Tall Necks Exploration Map

I find it a bit strange that we classify a significant amount of games as “Open World Games.” This has come to mean that there is a large map which the player is free to roam and complete main and side quests in whatever order they choose. Many of these open world games have competing designs in how they approach their open worlds. Some choose to immerse the player in the in-game world through a clutter free UI and minimal direction while also making the towns you visit feel lived-in. Others choose a more guided approach, with more consistent direction toward quests and an open world built for quest completion efficiency. Horizon Zero Dawn is the epitome of the latter approach, a world that is beautiful to look at but feels much more like a series of obstacle courses for the player to complete.

Horizon Zero Dawn Overide Tallneck

That last statement may sound derisive but let me be clear about my time with Horizon; I am having a tremendous time with the game. After the opening few hours introduce you to the world and gameplay, you are let loose out of the opening zone to the wide-open world map. The gameplay feels great, incorporating hunting and trapping tactics against mechanized animals and dinosaurs provides a fun challenge. The story is engaging as well; Horizon provides many answers players have starting the game, but still leaves breadcrumbs along the way to keep it propulsive. There are dozens of beautiful locations to explore from more forested areas, Arizona-like deserts, to snowy mountain passes.

Horizon Zero Dawn Open World Forest
The world is really beautiful though, just avoid that map

The quest structure and player map is where the aforementioned guided open world design comes in. Active quests are constantly highlighted at the top of screen providing a google maps like guidance system. The ticker updates with how many meters away the player is from the quest and constantly shifts to guide players down the most optimum route. The map can also become extremely cluttered, very quickly at the start of the game. The first merchant you meet (and every other thereafter) offers map that reveal where all collectibles and important objects are on map. Every wooden deer, old world technology and mug are available to the player for a very low price. Both of these options can be avoided though; the guiding indicator can be turned off and the player does not have to buy the maps.

Horizon Zero Dawn Shadow Carja Cultists
Some real menacing foes

Even without the options turned on, the world never becomes engrossing. Areas of the map are largely devoted to enemy camps. The bigger cities on the map are mainly just hubs to pick up quests and trade items. The AI in those cities never offer anything new, just the same dialog from before. That’s not to say the lore behind the world isn’t engaging, but the world itself never fully justifies itself as something worth exploring. It’s mainly just trying to ferry you on to the next quest location; finish that quickly and move on the next. This design reminds me of Metal Gear Solid V, a game that chose a similarly vacant open world. The battlefields were places to encounter enemy camps and soldiers, but never something to truly reside in. Once you finish your quests there is no reason for you to stick around. This is very different than the design of something like Skyrim or the other Elder Scrolls games, where the towns and AI are ripe with varying stories and unique experiences.

Horizon’s open world design choices aren’t necessarily a negative though. The experience of constantly checking of quests sets off a tremendous amount dopamine receptors. The design demonstrates how open world game design is delineated. Both choices turn off different types of players, but that’s ok. In the end it’s still their choice, to either derive meaning from the world on their own and hop right in to the joy of the jungle gym.

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Gaming Culture

“Souls-like” Games are the New Character Action RPG

Dark Souls Knight

The Souls series and its progeny are less its own genre and more of a change to action game trends

 During the 360 and PS3 era, third person character action games were everywhere. Games like Devil May Cry and Ninja Gaiden started a trend on the PS2 and Xbox for fast paced, third person character driven combat. New series took the core concepts, light RPG mechanics with various weapon choices, and copied them into a variety of settings. The character action genre reached its nadir through licensed games, such as Spiderman licensed games like Web of Shadows, and underwhelming sequels, such as Ninja Gaiden 2 and 3. This gave way to a sort of genre burnout as the number of character action games on the new consoles became limited. Besides Ninja Theory, it seems like the genre’s sole proprietor is Platinum Games who have served up some of the genres highest points (Bayonetta 2) and lowest (Ninja Turtles Mutants in Manhattan) for the new console era. During that time though, a new type of action game began to be immensely popular among enthusiasts. The Dark Souls games became a household name as people became engrossed in their rigid combat system and immense difficulty. Games that incorporate similar design choices (such as slow, deliberate combat) have become known as “Souls-likes” or simply being called Dark Souls clones. But both labels miss the point: these types of games simply indicate a new direction for the third person character action genre.

Ninja Gaiden 2 Xbox 360
Ninja Gaiden 2

Something that gets lost when looking back at the third person action game genre was just how hard those original games were. Ninja Gaiden required split second timing and precise controls as even regular enemies could take you down within seconds. Devil May Cry (especially the original version of 3) required rigid skill to make it through the combat arenas and platforming puzzles. These games were known for being only for masochists, a torch that has since been passed on to the Soul’s series. The most important aspect of this difficulty though is that it is rewarding for the player and not just randomly punishing. Both those original games and the Souls games are extremely rewarding for players when they can conquer their systems. What is telling though is that Ninja Gaiden and the aforementioned Devil May Cry 3 released versions of the games that lessened the original games difficulty. Ninja Gaiden Sigma for the PS3 was seen as a step back for genre purists while also inviting (slightly) more casual players to try the game. This intense difficulty of the genre was watered down as it passed off to different developers and series. The same direction could be headed for the Soul’s series as well. Nioh, while still containing difficulty, has been said to be more forgiving with its twists on the combat system and a better entry point for players looking to jump into the genre.

Devil May Cry 3 Dante Fight
Devil May Cry 3

While the Souls games carry the difficulty found in the best of the past generations character action games, they vary considerably when it comes to combat systems. Ninja Gaiden and Devil May Cry both require twitch reflexes to make it through their fast paced combat interactions. The Souls games however are on the complete opposite side of the spectrum with very slow and deliberate combat. Both do require precise dodging and striking enemies during attack openings, but a very different speeds. Missing enemies is a detriment in Dark Souls not because of their quick movement and attacks but because your character’s slow attack speed leaves you vulnerable. Soul’s characters are limited by a stamina meter, preventing continuous attacks that could be performed in Ninja Gaiden. Stamina also limits dodging as a depleted meter takes away the players escape.

Dark Souls Bonfire
Dark Souls

While these limiting systems define a Souls-like game, I would argue that they more reflect a change in taste when it comes to character action games. The overabundance of fast paced action games wore out audiences with their similarities in playstyle. The Dark Souls games inadvertently satisfied a need for a change among the genre. The Dark Souls game design does not exclude the more traditional design of the character action game but rather adds variety to a fairly derivative genre. As more Souls-like games continue to be released, I believe it is time to end that specific terminology and view them as a new, integral part of the character action game genre.

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Gaming Culture Kingdom Hearts

Kingdom Hearts: Remixing Disney into Anime

Kingdom Hearts, 1.5 and 2.5 Remix Collection, Disney, Square Enix, Sora
Kingdom Heart 1.5/2.5 Remix

The Kingdom Hearts series doesn’t make any sense on paper. Disney meets Final Fantasy. Donald Duck and Goofy working side by side with Aerith and Squall. Keys are giant swords. Mickey Mouse is the ultimate samurai warrior. Disney movies as planets. Hearts leaving bodies and memories being wiped. All of these elements combined sound like a story being tossed around on a fan fiction forum. But in 2002, Square Enix put these ideas into a video game and made Disney anime. The first Kingdom Hearts proved that this unlikely alliance between the world’s largest movie universe and arguably the most revered game series could make for an engaging crossover. Over the course of 15 years, 7 games (with only 2 numbered sequels) and 4 collections, Square has created a fleshed out if overly convoluted mythology. Now with the announcement of the Marvel cinematic universe being taken over by Square subsidiary Eidos Montreal and a new Kingdom Hearts collection dropping this month, it is the perfect time to look back and understand why this series is such a phenomenon.

Kingdom Hearts, 2.8 Final Prologue, Terra, Aqua, Ventus, Square Enix
I haven’t played the 2.8 prologue, but this does look beautiful

Kingdom Hearts takes the entirety of the Disney movie universe and places them in a Final Fantasy game. Besides the core Disney animated characters (the staples Mickey, Donald and Goofy) the other movies are separated into cordoned off worlds that the main characters visit. This allows the player to visit famous hallmarks of Disney movies such as Neverland and Halloweentown, but remain a detached visitor. The main core of the game revolves around Sora defeating a heartless infestation and locking the world with his keyblade. Each world involves missions that revolve around the movies’ plot points. It is important to note that this world hopping campaign has remained unchanged across all of the 7 games. This has proved to be the series main attraction while also being its greatest weakness. Many Disney films are only comprised of one film meaning that you are often replaying the same movie plot points across multiple games.

Kingdom Hearts, Disney, Goofey, Mickey, Donald, Square Enix, Sora
Assssssssssemble!!!

The Kingdom Hearts series would be nothing without its Disney backbone though. The nostalgic excitement of moving from Agrabah to Tarzan is wholly unique to Disney. These various worlds also offer the chance to team up with famous Disney heroes and square off against infamous villains. Square smartly keeps the hero team ups to their respective worlds while villains are given a chance to take on a more plot central role. Pete and Maleficent often make up part of the main antagonist team and are usually the main drivers of the heartless invasions. The Disney villains are not given the same importance as the newly created antagonists of the series, but their hierarchy in the enemy legion allows for plenty of face time and confrontation with Sora and the team.

While Disney forms the main backbone of the series’ campaigns, the core of the plot revolves around the new and original characters in the series. The plot of Kingdom Hearts takes the family friendly American values of Disney and animes the fuck out of them. A deathly serious tone revolving around the fate of the universe? Check. Amnesiac protagonists and memories being erased? Check. Existential themes revolving around souls and consciousness? A very big check. The Kingdom Hearts games take what could be considered a crossover event very seriously. Light and Darkness are very real and tangible items in the universe as represented by characters with or without hearts (or bodies without hearts). The enemies of the series are much more multidimensional in comparison to their Disney counterparts. Ansem and Organization XIII are looking for spiritual fulfillment through the series McGuffin Kingdom Hearts. The series also toys with its own protagonists’ souls as well, with characters often having to undergo ego death (or rejecting it at their own expense) to become whole like in the case of Roxas and Tera.

Kingdom Hearts, Square Enix, Sora, Axel, Nobodies
This was 12 years ago….

The plot would be nothing without the series’ engaging cast of characters. Fans immediately latched onto the pretty trio of protagonists Sora, Riku, and Kairi with each representing certain anime character tropes: the earnest good-hearted hero, the troubled but well intentioned friend, and the wise beyond her years love interest. The basis for these characters may not be original, but they have proven to be unique in their struggle to defeat the darkness invading their worlds and within themselves. The enemies also prove to be engaging through their aforementioned multidimensionality. Their tragic backstories, usually a result of their formers selves losing their hearts, add the backstory to their single-minded and emotionless pursuit to be whole again. They have no regard for others because they are incapable of being empathetic and their goal is to one day be whole again. Their main goal is to have their hearts and bodies reunited making them similar to our heroes.

If all that sounds extremely complicated, it is. Square Enix have done themselves no favors in creating games that provide more incremental detail and more mystery to their universe in between making a fully-fledged numbered sequel (with still no date as of yet announce). This overly complex mythology though is exactly what keeps fans clamoring for each successive game in the series. It may be unfair to say that Square may not have a great idea how to wrap up all of these disparate plot points with their next mainline game, but they certainly do seem hesitant to move the plot forward in a meaningful way. Even with that in mind, the Kingdom Hearts series has more than earned its fanatical following.